48 pages • 1 hour read
Nina George, Transl. Simon PareA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The Little Paris Bookshop explores the way literature can act as medicine for the soul. Through Perdu’s practice as a “literary apothecary,” or pharmacist, and through the sub-plot of uncovering Samy as the author of Southern Lights, the novel emphasizes literature’s power to forge connections and to soothe complex emotions.
Perdu’s floating bookshop, the Literary Apothecary, evokes the concept of books as medicine. Perdu sees books as a method for treating “feelings that are not recognized as afflictions and are never diagnosed by doctors” (23). Perdu, and many of the customers who visit his bookshop, sees that books can validate and soothe the many emotions that come with being a human, emotions that aren’t illnesses but that still need attention. “I’ll bring you a book for crying” (10), he tells Catherine when she says that she feels like she needs to cry more to work through her sadness. Just like a pharmacist might prescribe a pill that targets the body’s pain receptors to help someone manage their pain, Perdu prescribes books that target the emotions to help someone cry, laugh, or feel more confident. This practice works. For example, Anna is happier and more comfortable in her own skin after just a little time with the books Perdu prescribed. Catherine tells Perdu how much the books have helped her, that “each sentence in the books tells [her] something new every time” (314).
The Literary Apothecary is not the only way the novel develops the concept of the healing power of literature. Sanary’s book Southern Light is a robust example of the way a book can heal hurting souls. In this case, it is Perdu’s soul that is soothed by the medicine of Southern Lights. Perdu tells Samy (who wrote the book under the penname Sanary), “I only survived till now because of your book […] It was as if you knew me before I knew myself” (258). Samy tells Perdu how writing the book worked as medicine for her, too. She rejoices that her book brought Perdu and Cuneo into her life: “You brought him to me. Together you and Southern Lights brought him to me,” she exclaims (258). The sub-plot involving Southern Lights explores a specific example of the healing power of literature, both for the people who write it and for the people who read it. Through Samy and Perdu’s conversation, the novel contends that the true healing power of literature is its ability to bring people together, to connect people over time and space.
The potency of human connection is at the center of The Little Paris Bookshop, highlighting the significance that relationships hold in the lives of the main characters.
The novel emphasizes the beauty and significance of human connection by showing varied types of relationships. One powerful relationship is the relationship between Max and Perdu, a friendship with a father–son dynamic. For Max, Perdu is a mentor and protector, someone who can share the wisdom of lived experience. For Perdu, Max offers a dose of laughter and reality; Max teases Perdu for some of his odd behaviors and encourages him to seek life outside the pages of books. The safety and trust that Max and Perdu find in their friendship facilitates healing and growth for both.
There are several instances in the book that hint at the many kinds of love that humans can experience. Samy talks about three different loves, “the love in which we think with our knickers […], logical love, the type we create in our heads [...] And, third, there’s the love that comes from your chest or solar plexus” (255), meaning the heart. The women onboard the Baloo offer a different concept of types of love; they talk about big loves and small loves. This highlights the complexity of human connection, emphasizing the beauty and significance of relating to others in all kinds of different ways.
The downside of the beauty and significance of deep connections is the grief that follows their loss. Most notably, the connection between Manon and Perdu leaves him numb with grief for over 20 years. Catherine, too, suffers a cruel breakup that leaves her with emotional scars. In each case, the significance of the connection is a springboard that leads the character onto the next stage of their life. They are shaped by their relationships, and carry the memories with them forever. As Manon says to Perdu, “We will always remain what we were to one another” (361). The significance of human connection is not only that it brings joy, but also that it shapes who people become and how they interact with the world.
The central plot of The Little Paris Bookshop follows Perdu as he comes to terms with, and then moves through, his grief. The novel explores the impact of loss and grief by exploring the various responses that Perdu has to his loss, from numbness, to fear and anger, to acceptance. His journey demonstrates the difficulty and the importance of processing grief and highlights the ways loss can transform people.
The first stage of Perdu’s grief is numbness and denial. He walls off part of his apartment, dubbed the Lavender Room by Manon, with a full bookcase. This act is symbolic of the impact his loss has on his life; he must close himself off from the grieving part of himself as a means of survival. In Perdu’s memories and in the passages of Manon’s travel diary, it is clear how much Perdu changes. Before losing Manon, he used to cook in his kitchen, read naked with her on the divan, and enjoy vases of fresh flowers. In the contrast between “before Manon” and “after Manon,” the novel highlights the way loss can transform a person’s life overnight. Notably, Perdu never plans to open the Lavender Room; the plot makes it necessary, and being forced to face his grief sets Perdu on his journey.
As his journey of healing and self-discovery begins, Perdu experiences a range of emotions. He feels fear, as when he is afraid to join the women for dinner aboard the Baloo. He realizes that fear has prevented him from seeking out many opportunities and vows to himself that he’ll advise Max to never let fear make his decisions. Perdu also feels anger, as when he swims in Sanary-sur-Mer and is overtaken by a “blazing, roaring fury” (307). He is angry at Manon for keeping secrets from him, then angry at himself for not reading her letter. Powerful emotions—like fear and anger—are the results of loss. Through the descriptions of Perdu’s strong emotions, the novel explores the impactful experience of loss and grief.
The plot’s resolution comes when Perdu has processed his grief and accepted that the loss he’s experienced has shaped his future. Sitting at Manon’s grave, he thinks to himself, “The death of our loved ones is merely a threshold between an ending and a new beginning” (365). Understanding that loss and grief are transitional, rather than final, helps Perdu embrace both the grief for Manon that remains and the love for Catherine and for life that is developing.
Plus, gain access to 9,100+ more expert-written Study Guides.
Including features:
Books & Literature
View Collection
French Literature
View Collection
Grief
View Collection
Mortality & Death
View Collection
New York Times Best Sellers
View Collection
Popular Book Club Picks
View Collection
Psychological Fiction
View Collection
Romance
View Collection
Valentine's Day Reads: The Theme of Love
View Collection