73 pages • 2 hours read
Amitav GhoshA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Part 1, Chapters 1-5
Parts 1-2, Chapters 4-6
Part 2, Chapters 7-9
Part 2, Chapters 10-12
Parts 2-3, Chapters 13-15
Part 3, Chapters 16-18
Parts 3-4, Chapters 19-21
Part 4, Chapters 22-24
Part 5, Chapters 25-27
Part 5, Chapters 28-30
Parts 5-6, Chapters 31-33
Part 6, Chapters 34-36
Part 6, Chapters 37-39
Part 7, Chapters 40-48
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Uma is woken the next day to the news that Rajkumar is waiting for her. Dolly has left the house, as has the collector. When she finally meets with Rajkumar, he thanks her for the previous evening and admits that Dolly was the girl from his story. When he tells her of his struggles to speak to Dolly, she remembers her own courtship with her husband, which was done mostly through intermediaries. Rajkumar interrupts Uma’s memories to ask for help.
Later that day, Dolly is summoned to the collector’s house. She searches for Uma under the peepul tree and finds her, with Rajkumar alongside her. Alone for a moment, Uma and Dolly talk. Uma informs Dolly that she believes Rajkumar is in love. Dolly confesses her previous mistakes, such as her relationship with Sawant, and that she had dreamed of Rajkumar. Uma insists that the two talk and leaves to fetch Rajkumar.
Rajkumar and Dolly then talk. Dolly tells him that the birth of the princess’s child makes the situation impossible and, despite Rajkumar’s protests, they can never be together. She asks him to leave and he acquiesces to her request.
The king watches Rajkumar’s ship prepare to leave as Sawant serves him tea. Sawant slips into Dolly’s room as she sleeps. Hesitatingly, he tells Dolly that Rajkumar is leaving and he offers to take her down to the port. They rush to the dock and Dolly leaps from the carriage, running toward the departing boat. Though the boat is leaving the bay, she shouts. It turns. As it approaches the jetty, Rajkumar leaps from the deck and approaches Dolly, puffing on a cheroot. She tells him not to leave.
Dolly and Rajkumar are to be married. The civil ceremony takes place in the collector’s office in secret; Uma fears what will happen if the queen finds out. After the wedding, Dolly decides to see the queen.
By the time they arrive at the compound, it is already dark. The gates are locked and Dolly is refused entry. The queen already knows and has forbidden anyone to utter Dolly’s name ever again. Dolly falls to the ground, sobbing, as the princesses wave quietly from a distant window. Picking up the bundle of Dolly’s clothes, Rajkumar leads them back to the bungalow.
Uma finds the collector’s study door ajar. She tells her husband that she wants to return home and that he will be able to remarry; she feels useless in Ratnagiri and, without Dolly, has no reason to stay. The collector reveals that he has been fired from his position and is to return to Bombay.
With his days in Ratnagiri numbered, the collector decides to take a boat out on the bay. The king watches through his golden binoculars as the sea swallows up the boat and the man. Sawant does not hear the king’s call but the queen does. The queen leans over the balcony and spits into the bushes to commemorate the death of her jailer.
Saya John watches from a jetty as Rajkumar returns. He has offered his home to the newlyweds until they are settled. As they approach Rangoon, Rajkumar notices that Dolly has become increasingly withdrawn. He goes to fetch her to the deck, keen that she should see the city skyline, but Dolly is curled up in her cabin bed. She lays quietly as everyone else disembarks the ship.
Twenty minutes later, Rajkumar ushers Saya John into the cabin. He hands her a gold bracelet that belonged to his wife. In the carriage, Saya John also hands Rajkumar a gift: a ball of rubber. In Saya’s hometown of Malacca, the rubber business is booming. He envisages the business as a project for Rajkumar or for his son, Mathew, who is still in America. Rajkumar is unconvinced of the plan.
Uma returns home to be with her parents after her husband’s death, beholden to the traditions surrounding widows: her head is shaved, she cannot eat meat, and she must always wear white. But she has resources, inherited from the collector. She receives a letter from Dolly, inviting her to Rangoon.
Dolly welcomes Uma into the home, which is still under construction. Together, the two explore the city. Though she enjoys herself, Uma envies Dolly’s happiness. Rajkumar suggests that everything he and his wife have, they owe to Uma, so Uma asks a favor: book her passage to Europe.
Uma tours Europe, sending postcards back to Dolly. In Marseille, her sari is mistaken for a Cambodian dress. Dolly reads her friend’s letters while drinking a concoction prescribed by a midwife. Two months later, Dolly miscarries. As she recovers, she reads another letter from Uma, who is now in London. There, she has met a number of Indians, with whom she has discussed India’s struggles. They also recommend that Uma visit New York, where she may find common cause with the local Irish population.
Rajkumar reads the letter and suggests that she look up Mathew. By the time the letter reaches Uma, Mathew has already sought her out. The reason for Mathew’s reticence to return home is clear: he has a fiancé, an American woman named Elsa. Dolly tells Rajkumar, who passes the information to Saya John.
Dolly learns that she is pregnant again and she forgets about her friends’ escapades. As she lays in hospital, Saya John enters and thanks her for returning his son to him. Dolly gives birth to a boy, Neel. Four years later, she gives birth to another boy, Dinu. By this time, Elsa has had her first child and lives with Mathew and Saya John in Malacca. Rajkumar and Dolly go to visit them.
They find a bustling, growing town. Dolly hears news of Uma, who now has a job and is involved in political matters. They take a tour of the rubber plantation and learn of its history. As they look over the plans for houses, Saya John shows Rajkumar a newspaper clipping: Grand Duke Franz Ferdinand has been assassinated in Sarajevo. Neither man can fathom the implication.
The death of the collector is a small-scale version of the historical cycles repeated throughout the novel. Repeatedly, the author shows people acting in the same way and these actions eventually leading to destruction. The failure to learn from history is evident, as is the arrogance to think that one has the power to change the inevitable. The collector boards the doomed boat and goes rowing. On arrival in Ratnagiri, he is warned of the dangers of taking Mr. Gibb’s boat; Mr. Gibb was a “skilled sailor” and “very experienced,” but the collector ignores the warnings and his own comparative lack of skill. His death is inevitable and, perhaps, desired. Throughout The Glass Palace, other characters will be warned of dangers or will take on tasks far exceeding their capabilities. As in the case of the collector, they will suffer as a result.
As the king watches on, powerless to stop the collector, the act of observation functions as a damming indictment of his fall from power. King Thebaw, the lingering representative of the old world, has become so irrelevant that he can only watch on as an acquaintance dies. His power is limited, literally and figuratively, to the compound in which he is imprisoned. His only function is observing the skyline, watching for ships, and acting as an early warning system for the locals, telling them when a ship might be due. But when it really matters, his voice goes unheard and “his voice ha[s] grown prematurely feeble” (154). From an all-powerful monarch to little more than a set of helpless binoculars, the end of Part 2 reveals the true conquering of the royal family of Burma. That he is reduced to a watcher despite not being able to see the approaching historical forces in his own life is a bitter irony, one which besets King Thebaw for the rest of his days.
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By Amitav Ghosh