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39 pages 1 hour read

Howard Pyle

Otto of the Silver Hand

Howard PyleFiction | Novel | Middle Grade | Published in 1888

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Chapters 5-10Chapter Summaries & Analyses

Chapter 5 Summary: “How Otto Dwelt at St. Michaelsburg”

Content Warning: This section of the guide contains descriptions of violence, abuse, torture, imprisonment, and death.

Otto grows up in the monastery and is raised primarily by a monk named Brother John, who cares for him like he would his own child. Brother John has an intellectual disability due to a childhood injury, and he and Otto have a special bond that endures even as Otto gets older. Otto and Brother John spend most of their free time together, and one day, Brother John tells of his experience witnessing the appearance of the Angel Gabriel. 

Brother John says that Gabriel appeared to him in a tree and asked if the tree should be cut down. Brother John admitted that the tree was dying and should be cut, but then Gabriel brought it back to life. The angel explained that the tree must eventually be cut down in order to be replanted in paradise, and he then stated that nothing that lives ever truly dies. Upon hearing this, Otto hopes to someday have a vision of his own.

When Otto is 12 years old, he sits reading books that belong to Abbot Otto and staring at his favorite picture, an illustration of baby Jesus in the manger. Suddenly, he is called out to meet his father, who has arrived unannounced with plans to take Otto back to the castle. Otto knows who the Baron is right away, but he is confused as to why his father is there. Baron Conrad announces that Otto must return to Castle Drachenhausen to uphold the family name and learn to become “a man.” The Baron insults the peaceful ways of the monastery, implying that the monks are weak, and he insists that Otto must be trained to fight in battle. Abbot Otto is deeply saddened by this, but he has no say in the matter and has to let Otto go with the hope that Otto will bring good to Castle Drachenhausen rather than being corrupted by its violent ways.

Chapter 6 Summary: “How Otto Lived in the Dragon’s House”

Otto finds his first days in the castle exciting and interesting, and he has the opportunity to explore this entirely new place. On his journeys around the castle, Otto finds a chapel filled with the bodies of his ancestors. He also finds a room filled with books that, while old and worn, still remind him of the books he read at the monastery. Otto also develops a bond with Ursela, who is relieved to see him alive and well and immediately takes Otto under her care.

Ursela tells Otto stories that he always finds fascinating, but one day, she tells him about his father’s past actions and explains how his mother died. When Otto hears that Baron Conrad used to steal from others and that he has killed many people (including Baron Frederick, whom he struck down in revenge), this grim revelation horrifies him. Otto has never been exposed to such thoughts before, and he cannot believe that his father would do such things. Just then, Baron Conrad walks into the room, and Otto cries to him, asking his father to tell him that these stories are untrue. Instead, the Baron readily admits to the truth and tells Otto that he must let go of the “foolish” teachings of the monastery because the world outside is much more cutthroat. The Baron also lectures Ursela for telling Otto things that he would have wanted to explain himself. Later, the Baron asks Otto if he hates him for killing others, and Otto admits that although he is confused, he does not hate his father.

Chapter 7 Summary: “The Red Cock Crows on Drachenhausen”

The new emperor of Germany moves to bring peace to the land and calls in every baron for whom a complaint has been made. Baron Henry, the nephew of Baron Frederick, calls in a complaint about Baron Conrad for killing his uncle. A summons is sent to Baron Conrad’s castle, and Otto reads to the message to his father. The message states that Baron Conrad must come to the Imperial Court and agree to stop all violence or risk his castle being destroyed and himself killed. Baron Conrad realizes that he has no choice but to agree, so he leaves his castle accompanied by 100 men, and almost none are left behind.

Three nights later, with Baron Conrad and his company still gone, Baron Henry and 30 of his men invade Castle Drachenhausen. They use arrows to set up a rope ladder and kill the man in the watchtower, then sneak into the castle grounds. Schwartz Carl, who lives in Melchior Tower, uses his crossbow to kill one of the men but is then chased up the tower. The men burn the tower and the buildings around it, and Otto watches in horror as women are dragged away screaming. Ursela bursts in, begging Otto to save her, but Otto has no experience in battle, nor does he have the strength and size to help her. Several men follow Ursela and promptly drag her away. Otto begs not to be killed, and the men take him back to Castle Trutz-Drachen. As they leave, Otto witnesses fires and destruction all around him.

Chapter 8 Summary: “In the House of the Dragon Scorner”

Otto is taken to a prison cell with one tiny window, Only basic meals are brought to him daily. One day, Baron Henry comes into the cell and asks Otto if he knows why he was brought there. Otto admits to ignorance, and Baron Henry explains that Baron Conrad killed his uncle (Baron Frederick) while Baron Frederick pleaded for mercy. Baron Henry cuts off Otto’s right hand rather than killing him outright, seeing this action as a form of revenge against Baron Conrad. Otto quickly grows ill and is treated with leeches and bloodletting, neither of which help him to recover.

Several days later, Baron Henry’s daughter, Pauline, finds her way to Otto’s cell. She explains that she wanted to see Otto for herself, and she is amazed by his stories of the monastery, where men do not know violence. The two quickly become close, for Pauline is intrigued by Otto’s experiences and his perspective, and she eventually professes her love for him. Otto asks Pauline to find a way to send word to his father about his location so that Otto can be taken home and regain his health. He promises to return and marry Pauline when he becomes an adult, and Pauline agrees to help.

Chapter 9 Summary: “How One-Eyed Hans Came to Trutz-Drachen”

Pauline is friends with the wife of a pig herder. She asks the wife to ask her husband to tell Baron Conrad where Otto is being kept. Two days later, one-eyed Hans sneaks his way into the castle, posing as a peddler of fine jewelry. He entices a girl to let him in the back door. While she is gone getting her friends, Hans climbs down the chimney and overhears the girls speculating that perhaps he was some sort of devil with the ability to disappear.

Chapter 10 Summary: “How Hans Brought Terror to the Kitchen”

Hans climbs down the chimney and into the kitchen, where a cook and a young boy are sitting. Hans waits for the cook to leave and then jumps down from the chimney, terrifying the boy into running away. Hans takes his shoes off and burns them to avoid leaving soot tracks, then climbs into the bread trough to hide. When some men come in looking for him, they remark on the smell of burnt horns (which is actually Hans’s burnt shoes). Hans manages to find his way to the castle grounds and approaches a sentry from behind. He takes the man in his grasp and holds his own dagger to his throat, threatening to kill him unless the man can reveal where Otto is. The man agrees and leads Hans to Otto’s prison cell.

Chapters 5-10 Analysis

Throughout the novel, Pyle’s accompanying illustrations frequently contain heavy symbolism that hints at the novel’s focus on The Dichotomy of Good and Evil. One example of this dynamic can be found in the illustration of Brother John’s vision, which appears at the beginning of Chapter 5. The illustration shows the Angel Gabriel appearing, with wings that envelope the entire frame. The blinding sun is shining behind the angel, and Brother John stands in awe at this divine vision. As the Angel Gabriel brings the tree back to life, Brother John bears witness to renewal and the spiritual power of God. In Pyle’s illustration, the sun symbolizes both the divinity of God and the presence of the angel, as well as the power of light and goodness to overcome death and destruction. These abstractions are further emphasized by the Angel Gabriel’s silver hand, which will eventually come to be the symbol of Otto’s own ability to rise above evil and dedicate himself to Choosing Love over Violence.

In this section, Otto’s close relationship with Brother John plays a vital role in forming the young boy’s perspective on the world. While growing up in the monastery, Otto has no exposure to the violence and injustices of the outside world, and the only hints he receives are the stories he hears from those older than him. Otto and Brother John share a similar view of the world, adopting a love of simplicity and straightforwardness. Otto is occasionally accused of being “slow,” when in truth, he just does not understand the complex reasons behind the violence in the world. Within this context, Brother John’s vision enlightens Otto because it lets him know that there is something beyond death—a sentience that rewards those who act out of goodness.

In sharp contrast with the monastery’s peaceful ways, Otto’s new life in the castle is filled with discoveries that both inspire and horrify him. Although Otto finds the castle a fascinating and intriguing place to explore, he soon learns that the secrets it hides are not of the beauty and peace that he knew at the monastery. When he finds the chapel filled with deceased relatives, he sees the effects of death firsthand, and not for the last time. Otto also learns of his father’s true nature and his willingness to kill those who stand in his way, and this revelation causes him to question The Dichotomy of Good and Evil. While Otto always believed these two forces to be diametrically opposed, he comes to learn that both of them exist within all people, including his father. He therefore becomes one of very few people who can both criticize violent actions while still empathizing with the person committing those actions. When Baron Conrad asks Otto if he hates his father, Otto answers that he does not, because hate is not something that Otto is capable of feeling; he knows only forgiveness, kindness, and compassion. By contrast, the feud that builds between Baron Conrad and Baron Henry over time is a manifestation of the overriding conflicts that run throughout the narrative.

Otto’s character therefore develops along the course of two paths: the path in which he is obligated to adhere to the tenets of his violent family legacy, and the path of peace and solitude that both his mother and Abbot Otto wished for him to follow. Crucially, because Otto’s foundational years are spent at the monastery, he grows to uphold these values over those of Baron Conrad. Pyle also uses concrete imagery to cast Otto as the embodiment of the moral “high ground,” for when the boy lived at the monastery, he never ventured out into the world, instead looking down upon it from the belfry tower with Brother John. The fact that Otto literally “looked down” upon this world signifies his elevated moral position as someone who has always dedicated himself to Choosing Love over Violence.

When the castle is attacked, Otto is exposed to the full extent of violence and bloodshed. He witnesses people dying, women being maimed, and fires burning. The level of brutality that the medieval people enact upon one another is fully explored and illustrated in this scene, and the violence of this event is later mitigated by the tenderness that arises between the imprisoned Otto and his future love, Pauline. Their love story is brief and simple, but it eventually acts as the bridge between the two opposing sides, and their connection foreshadows the fact that the current conflict will eventually be settled once and for all.

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