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Patricia EngelA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Mauro finds work as a custodian. With lasting sobriety and a good job, he comes to be an accepted part of Perla’s home and grows ever closer to Perla, who struggles to remember the names of her absent grandchildren.
The narrator relates the Andean creation stories Mauro tells Talia, focusing on the conflicting nature of the gods with one another and the uncertainty of whether the gods were beneficent or destructive.
The narrator describes the changes happening in Elena’s life in this chapter. She, Mauro, and Talia see each other through video calls; and they each tell the other they have not changed. The greater change to Elena has to do with her psyche. She remains at the restaurant for a time—the narrator calls these “zombie days”—having no other position. Soon, however, she strikes out on her own and finds several homes to clean. She is cautious in choosing clients, but she still encounters the idiosyncrasies of some middle-class North Americans, as well as their obliviousness and prejudice. Elena teaches her growing children how to avoid interacting with the police.
This chapter tells of the first revolt Talia led at the reformatory, interrupting a mediation session featuring a wealthy spiritualist woman who was trying to get the girls to recant their attitudes and envision a different life for themselves: “Talia wondered why the staff cared so much about contrition when they were already being punished” (116). A nun tells her she must write a letter of apology to Horatio for burning him.
The chapter shifts to a current narrative of Talia riding to Barbosa with Aguja. She is lost in thought about how she cared for Perla as her death grew closer. Though this was initially to be the point of their separation, Aguja offers to take her another 50 kilometers—30 miles—to Chiquinquirá, where he will “light a candle” at the basilica in his mother’s name (119).
Someone recommends Elena as a cleaner for a wealthy family along the Hudson River. She bonds with their 12-year-old autistic son, Lance, and quickly becomes his regular caregiver. In gratitude, the family allows her to move into a cottage on their property with her children. Karina and Nando also bond with Lance.
The chapter also describes the gradual decline and death of Perla. Talia and Mauro work together to preserve her dignity as she slowly approaches death. Mauro knew that Perla was dying but did not tell Talia, who cares lovingly for every need of her grandmother. This is an especially painful time for Elena, who realizes she will not be with her mother before she dies. Elena knows before Mauro calls her that her mother has died.
The characters mature as they move beyond their raw experiences, and each makes strong emotional gains. In Chapter 15, Engel chronicles the forward movement of Mauro and the way he roots himself into Talia’s life even as Perla slips into dementia. Mauro perceives the Andean legends as cautionary commentaries on his life and his family. For this reason, he does not share all the myths with Talia, particularly one in which a beloved daughter is eternally separated from the father who loves her.
Hoping to find support from one of her clients, instead Elena receives another lecture about the need to avoid becoming pregnant and the advisability of having abortions. The woman asks Elena, “Why do your people have so many children when you can’t afford to take care of them” (112), giving Elena and the reader a clear sense of her underlying prejudice. It does not come as a surprise when this client accuses Elena of theft and fires her.
This could be seen as the “bad wisdom” or “unhelpful advice” section of the book. Mauro’s Andean cultural stories seem to counsel him that he may lose his daughter forever. Elena’s white client explains that she should avoid getting pregnant. Talia leads a rebellion against the wealthy meditation instructor sent to reform the attitudes of the imprisoned girls, following which Sister Susana lectures Talia on how she should lead a life of penance.
The section culminates with parallelisms about caretaking. Ironically, Talia ends up caring for Elena’s mother while Elena ends up caring for a child to whom she is not related and toward whom she feels quite maternal. Mauro, the formerly unwelcome lover of Elena ends up providing for Perla as well. Theirs becomes a kind of blended family, with people filling roles that are not biologically or legally prescribed.
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